(Harriet Tubman’s $20 bill)

Bradbury Art Museum, Jonesburo 2020

Installation consisting of one double-sided bill and a wad of 36 small bills. Technique: Intaglio and dry-point etching on 11 plates: steel, copper and acetate. Sugar lift, hard and soft ground printed on Zerkall Artrag 300 gr. Limited edition of four installations.

Dimensions: height 42 ½” x width 19 ¼” (108 cm x 49 cm)
Small bills cut from large print: 7 1/16” x 3 1/8” (18 cm x 8 cm)

This is one version, my version, of the twenty-dollar bill honouring Mrs. Harriet Tubman. The design of the real bill was to be completed and unveiled to the public in 2020. The Trump administration halted the project and the Biden administration immediately revived the plan after the elections.

More about  the unreleased conceptual design of a new $20 note

My vision

Tubman as visionary. The 20/20 vision unfortunately still necessary today in 2020.
Scars upon scars – scarred skin, scarred earth, scarred society. The forest is a haven and an ally. Broken chains, snipped barbed wire, Northern stars, maps, bullets, teeth, tracks.
I used a blue ink for the night of the forest which I made with an indigo pigment grown in my village in France. The red was evident to scream out the words. When I pulled the print I could see the Union colors but this was not at all pre-meditated. The making of the entire piece was a visceral process for me and something that I felt I owed to her since my childhood.

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